When he screened the film, he found that the "stop trick" had caused a truck to turn into a hearse, pedestrians to change direction, and men to turn into women. Georges Méliès, an early motion picture pioneer, accidentally discovered the same "stop trick."Īccording to Méliès, his camera jammed while filming a street scene in Paris. It was not only the first use of trickery in cinema, it was also the first type of photographic trickery that was only possible in a motion picture, and referred to as the "stop trick". Techniques like these would dominate the production of special effects for a century. He placed a Mary dummy in the actor's place, restarted filming, and allowed the executioner to bring the axe down, severing the dummy's head. As the executioner brought the axe above his head, Clark stopped the camera, had all of the actors freeze, and had the person playing Mary step off the set. While filming a reenactment of the beheading of Mary, Queen of Scots, Clark instructed an actor to step up to the block in Mary's costume. In 1895, Alfred Clark created what is commonly accepted as the first-ever motion picture special effect. In 1857, Oscar Rejlander created the world's first "special effects" image by combining different sections of 32 negatives into a single image, making a montaged combination print. Transferred from en.wikipedia to Commons by Logan using CommonsHelper., Public Domain,
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